It is simple to mission onto Lana Del Rey. She shouldn’t be precisely forthcoming, however she’s not a whole cipher both. Most of us can empathize, or immediately relate to her in some capability. We know what her politics are. We understand how she feels about Azealia Banks. Through her music, we all know that she views the world by way of a prism of nostalgia and dread. She writes songs that current her as previous past her years. As somebody who has actually lived a life. Yet every new album, and to some extent, every new tune she releases reframes our understanding of how she sees the world. It’s what makes her an thrilling artist, and it’s, in a way, what makes a tune like “hope is a harmful factor for a lady like me to have — however i’ve it” so compelling.
Ostensibly, the tune will seem on Norman Fucking Rockwell, an album that may — primarily based on all the pieces that’s come earlier than — be about love and America and desolate moments of revelation taking part in out on suburban lawns and again alleys. But what makes “hope” attention-grabbing proper now, divorced from the context of the album, is how spare the monitor is. Over barely-there piano, Del Rey sings about church basements, burned espresso, and retaining hope when she in all probability shouldn’t anymore. She’s no stranger to themes of habit and hopelessness, however she’s by no means sung them with such readability. Lana Del Rey, at her greatest, has at all times written with knowledge past her years, however she’s by no means accomplished it this properly.