Scarcely every week into 2019, there’s nonetheless no escaping Cardi B, Bad Bunny, and J Balvin’s 2018 single “I Like It.” Reviving fellow Bronx denizen Pete Rodriguez’s 1967 hit “I Like It Like That” by means of sampling, the repurposed boogaloo bursts with an opalescence bolstered by the added lure bass and star flip from the previous Love & Hip-Hop reality-television character. Following her opening guidelines of luxuries upon luxuries, Bad Bunny springs into motion with alacrity, referencing wrestling legend Eddie Guerrero and renaissance lady Charytín Goyco amid Gucci braggadocio and insular slang. For tens of millions of listeners, that second marked their introduction not simply to the Puerto Rican rapper additionally recognized to followers as El Conejo Malo, however to a musical motion in any other case unknown to their ears.
A Billboard-chart-topping hit that ultimately earned multiplatinum RIAA certification, “I Like It” reworked Bad Bunny right into a family identify and set the stage for his just lately launched full-length debut X100PRE. Yet some two years prior, Bad Bunny, born Benito Martínez Ocasio, was merely considered one of quite a lot of jockeying gamers in Latin lure, a Spanish-language hip-hop permutation that drew skills partially from different areas of the broad música urbana scene. Raised on his dad and mom’ love of merengue and salsa data in addition to the work of reggaetón greats like Tego Calderon and Daddy Yankee, this burgeoning native sound had apparent enchantment for him. Discovered by the well-connected DJ Luian and signed to his Hear This Music imprint, he started releasing music via the label and guesting elsewhere in 2016.
Listening again to these early days, the voice featured on tracks like “Diles” and Kelmitt’s “Otra Vez” sounds immediately recognizable and distinct, even alongside comparatively extra skilled practitioners like Arcángel and Farruko, each of whom had come up in reggaetón. Assuredly, Bad Bunny benefited from the broader style’s advantageously inclusive tendency towards multi-artist remixes and expansive posse cuts, songs that simply stretch out nicely past the five-minute mark. Being with DJ Luian and manufacturing duo Mambo Kingz from the beginning and using a reasonably memorable moniker helped his case as he spat verses and fairly just a few hooks alongside fellow newcomers and established faves. Not occasionally, he name-checked Snoop Dogg and Wiz Khalifa in his bars, referential influences that spoke extra to his tastes than his vocal tone.
Ultimately, what gave Bad Bunny a leg up was timing. Though hardly a brand new phenomenon on the time, Spanish-language hip-hop discovered a sure revitalization primarily based off of the lure and trap-adjacent rap exploding stateside in 2016. Megahits like Migos’ “Bad And Boujee” and Rae Sremmurd’s “Black Beatles” with Gucci Mane made the music unattainable for rappers and producers in Puerto Rico and elsewhere in Latin America to disregard. Contemporaneous Bad Bunny tracks for Hear This Music like “Pa Ti” and “Tu No Vive Así” show how Latin lure was extra cousin than copycat. Songs like these resonated with younger listeners and YouTube viewers all through the Caribbean and the Americas, complementing the English-language rap made broadly accessible by means of on-line streaming.
Trap’s themes of drug lords and wealth-driven hedonism suited the traperos nicely, imbued with the added authenticity of truly residing, recording, and performing in components of the world the place the narcotics commerce performed a not-insignificant half. American rappers had lengthy constructed themselves up lyrically primarily based on Latin American stereotypes, from Tony “Scarface” Montana to real-life patrón Pablo Escobar. Tales of El Chapo’s exploits had been cited and claimed by the likes of two Chainz and Future, amongst others. So when Farruko’s 2017 album TrapXficante dropped Sony, the importance of the title and its sonic shift away from reggaetón and different hip-hop varieties exemplified the lure en español growth nicely underway. The file’s spotlight, “Krippy Kush” prominently featured periodic collaborator Bad Bunny on its 420-friendly refrain and in a memorable verse capped by oxycodone tablets washed down with lean.
Even because the beats jibed, the perceived language hole saved the spirit of cross-cultural rap collaboration regrettably at bay longer than it ought. Major file labels ran their Latin divisions kind of as silos, artificially limiting their artists’ interactions with these from city and pop imprints usually working out of the exact same buildings. When one explicit exception, the Luis Fonsi and Daddy Yankee single “Despacito” with Justin Bieber, grew to become a global sensation, the trade realized the straightforward lesson. From J Balvin and Beyoncé to Post Malone and Ozuna, English-language hit-makers hopped onto Spanish-language singles and vice-versa in scattershot search of the subsequent crossover smash.
From this haste got here the “Krippy Kush” remixes, which, with the assistance of recent company Nicki Minaj, 21 Savage, and Travis Scott proved Bad Bunny’s essential entry onto Billboard’s all-genre Hot 100 chart in the beginning of 2018. Though he’d really first appeared on that rating months prior as a visitor of bilingual singer Becky G on her single “Mayores,” that breezy effort sounded uncharacteristic in comparison with his myriad 2017 lure bangers similar to “Blockia,” “Chambea,” and “Soy Peor.” Even these betrayed considerably the rawness he’d introduced all through that 12 months on Nano La Diferencia’s bleak “No Me Wua Dejar” with Tali Goya. Still, he showcased a capability to glide between that stygian fare and the tempestuous R&B of J Balvin’s “Si Tu Novio Te Deja Sola” or the colourful reggaetón of Nicky Jam’s “El Amante.” In the notable absence of prior scene favourite Anuel, whose 2016 arrest and ensuing incarceration on federal weapons prices successfully saved him out of lively rivalry for 2 essential years, Bad Bunny handily rose to the burgeoning style’s highest heights.
Thus, at the same time as “Krippy Kush” light from the charts and the search histories of Minaj’s loyal legion of Barbz, Bad Bunny continued to soar in Latin-music circles. The signature weed and wrestling content material prevalent in his previous work started to provide approach to extra private subject material on his 2018 singles. A close to nihilistic but poetic rejection of romantic love delivered proper in time for Valentine’s Day, “Amorfoda” leaves him emotionally uncovered towards a spare piano development with out a lot as a touch of a rhythm. Later that month, “Dime Si Te Acuerdas” continued the theme, recalling the detachment of The Weeknd’s “The Hills” as he switches effortlessly between singing and rapping.
Then alongside got here Cardi’s Invasion of Privacy album in April, and the moment reputation of “I Like It” deemed it the file’s inevitable single. Still, aside from an English-language couplet bragging about his spending energy and his private model, the remainder of his contribution remained in Spanish, which even within the post-“Despacito” world was nonetheless a daring gambit. As American hip-hop and pop radio — on-line and terrestrial alike — embraced the observe, Bad Bunny appeared alongside the equally ascendent Ozuna on a model of Nio García and Casper Mágico’s “Te Boté.” A breakup anthem set to a throbbing reggaetón beat, the remix went supernova with música urbana devotees, dominating Billboard’s Latin charts and spending weeks on the Hot 100.
The mixture of “I Like It” and “Te Boté” took Bad Bunny from headlining runs at theaters that March to performing earlier than sold-out crowds at sports activities arenas by summertime. Rumors of a correct album lingered, although aside from the discharge of the upbeat “Estamos Bien” nearly all of his output in these months got here as a featured visitor relatively than a lead artist. Some of that needed to do together with his parting methods with DJ Luian, a element that few of these having fun with his music had been even conscious of. The frenetic tempo of Latin lure output means a great deal of new singles drop weekly, which offered some cowl when his voice appeared alongside Nicky Jam on “Satisfacción” or on odd geese like Marc Anthony and Will Smith’s “Está Rico.”
Amid the gossip surrounding Bad Bunny’s album was discuss of a Drake collaboration, one thing teased earlier within the 12 months on Instagram. When Scorpion dropped over the summer time with out it, the starvation for the observe grew. Sure sufficient, “Mia” emerged just a few months later when even those that hadn’t heard of Bad Bunny earlier than “I Like It” had been a part of the thrill. Instead of compromising with an English part, each artists carried out the tune totally in Spanish, one thing Drake hadn’t executed since his visitor spot on bachata king Romeo Santos’ “Odio” in 2014. The success of their pairing hastened the arrival of “Solo De Mi,” Bad Bunny’s first solo reduce since “Estamos Bien.”
Together, these songs heralded the shock launch of the corresponding Christmas Eve album X100PRE. Two weeks later, it at present holds No. 11 on the Billboard 200, a transparent indication of Bad Bunny’s standing in American music. And as 2019 eases into its opening quarter, the probability of Latin lure persevering with to play a significant function within the mainstream appears stronger than ever.