Prolific veteran bassist Brian Cook (of Botch, These Arms Are Snakes, Russian Circles, Sumac, and more) now has yet another new project, Torment & Glory, a singer/songwriter-style solo project whose debut album We Left a Note with an Apology comes out August 27 via Sargent House (pre-order). The first single is “No Big Crime,” a gorgeous, somber, folky song that’s a far cry from the heavy music Brian is best known for. It’s genuinely great stuff, and it comes with a grainy video directed by Bobby Markos that you can check out right here:

The album has a very interesting backstory, told via press release:

The seed was planted for Torment & Glory’s We Left a Note with an Apology sometime back in the mid-‘00s when Brian Cook (Russian Circles, SUMAC) found himself crashing on a friend’s couch after a late night of drinking. A weathered vinyl copy of Springsteen’s Nebraska was on the living room turntable, spinning endlessly on its run-out groove after everyone else in the house had passed out. Cook opted to give it one last spin before calling it a night. There was so much dust on the platter that the needle only occasionally caught the groove, creating a wall of fuzz distortion with the occasional acoustic guitar and lonesome voice creeping out of the ether. What was ultimately just a fluke of a poorly treated LP became the sonic inspiration for a recording project that would eventually take on the name Torment & Glory. Cook started writing songs on a Fostex X-14 cassette four-track a few weeks later, hoping to emulate that downtrodden-songwriter-swallowed-by-white-noise sound.

There were a few handicaps at play for the project, most notably the fidelity limitations of the Fostex. One of these early song experiments, “Praise Be Man,” wound up on Russian Circles’ album Empros. It seemed about as close to fulfilling that initial vision as Cook could get at the time, and the Torment & Glory project was put on indefinite hiatus. Yet even with the recording project on hold, guitar ideas and song fragments kept coming. While Russian Circles and SUMAC provided crucial creative outlets for Cook, there was a deep appreciation for the singer-songwriter tradition that wasn’t a component to either band. These bits and pieces gradually started resembling songs. But any plan to resurrect Torment & Glory was thoroughly squashed in 2019 when Cook’s voice abruptly disappeared one day. “It’s just one of those things,” the doctors said. “Maybe your voice will come back tomorrow. Maybe it’ll come back in a few months. But be prepared; it may not come back at all.”

It wound up being the second scenario—Cook’s voice was gone for six months, though it never fully returned to normal. “My voice still cracks and warbles in certain note ranges,” Cook says. “It seemed like a good idea to try to rehabilitate my voice by singing, so I started adding vocals to the little fingerpicking melodies I’d developed over the years.” Then COVID hit. Suddenly there was an abundance of time. Home recording became the only viable option for staying busy with Russian Circles, but it was a skill set Cook lacked. It was under these conditions—needing to refine his aptitude with recording software, needing to rehabilitate his voice, needing to keep his guitar chops up, needing to stay busy to avoid despair—that the Torment & Glory project resurfaced.

The official recording of We Left a Note with an Apology began on December 21st, 2020—winter solstice—with Cook tracking all the instruments (acoustic guitar, baritone guitar, bass, synth) and vocals at home. Cook’s friend Ben Chisholm (Chelsea Wolfe) offered to mix the album, and the results boosted the project from Cook’s initial intentions of self-releasing it as a small run of limited-edition cassettes into a broader release through his longstanding label and management at Sargent House.

Despite the songs being written over the span of ten+ years, there’s a connective thread to the lyrics on We Left a Note with an Apology. Cook recalls teenage memories, reminisces about first apartments and on the album’s first single, “No Big Crime” he grapples with the ethics of shoplifting. He comments, “All the songs are a reflection on youth and the reckless behavior that serves as a rite of passage. It’s a way of atoning for some of the more aimless acts of rebellion I dabbled in during my young adult years.”

Tracklist
1. The Burning Car
2. Boylston and Pike
3. No Big Crime
4. Dusk on Main
5. The Kick Drum
6. Mexican Hat, Utah
7. All Men Forever